Bach Bibliography
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Schulenberg, David:   Composition as Variation: Style and Theory in the Sonatas of C.P.E. Bach. [p]AMS_GreaterNewYork (May 1981) A paper read at the Greater New York Chapter meeting of the AMS on 9 May 1981 at Columbia University.
2. Schulenberg, David:   Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. CurMcol 33 (1982), 57-88.
3. Schulenberg, David Louis:   The Instrumental Music of Carl Philipp Emanuel Bach. diss. (1982), viii, 408p. PhD diss., Musicology, State University of New York at Stony Brook, 1982. viii, 408p.
4. Schulenberg, David:   The Instrumental Music of Carl Philipp Emanuel Bach. Ann Arbor, Mich.: UMI Research Press, 1984. viii, 192p. ISBN: 0-8357-1564-7. (= Studies in musicology, 77) [contents]
5. Schulenberg, David:   Musical Expression and Musical Rhetoric in the Harpsichord Works of J. S. Bach. [p]AMS_Vancouver (Nov 1985) A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985.
6. Schulenberg, David:   C. P. E. Bach in the 1740s: The Growth of a Style. [ce]CPEBachStud (1988), 217-231.
7. Schulenberg, David:   Performing C. P. E. Bach: Some Open Questions. EarlyM 16/4 (Nov 1988), 542-551.
8. Schulenberg, David:   Expression and Authenticity in the Harpsichord Music of J. S. Bach. JMcol 8/4 (Fall 1990), 449-476. [BWV 903, 830]
9. Schulenberg, David:   Composition and Improvisation in the School of J.S. Bach. [p]AMS_Chicago (Nov 1991) A paper read at the American Musicological Society Annual Meeting in Chicago on 7-10 November 1991.
10. Schulenberg, David:   The Keyboard Music of J. S. Bach. New York: Schirmer Books, 1992; London: Victor Gollancz, 1993, 473p. ISBN: 0-575 05518-9. - Second Edition. New York: Routledge, 2006. viii, 535p. ISBN: 0-415-97399-6; 0-415-97400-3; 978-0-415-97399-1; 978-0-415-97400-4.
11. Schulenberg, David:   C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. Bach 23/2 (Fall-Winter 1992), 5-30.
12. Schulenberg, David:   Musical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach. ContributStudMDance 19 (1992), 95-109.
13. Schulenberg, David:   Musical Allegory Reconsidered: Representation and Imagination in Baroque Music. [p]AMS_Montreal (Nov 1993) A paper read at the American Musicological Society Annual Meeting in Montreal on 3-7 November 1993.
14. Schulenberg, David:   Carl Philipp Emanuel Bach. [ce]18cKeyboardM (1994), 191-229. [Headings: Bach's Keyboard Style; Organization and Editions of Bach's Keyboard Works; Bach's Keyboard Works]
15. Schulenberg, David:   Composition and Improvisation in the School of J. S. Bach. BachPerspectives 1 (1995), 1-42.
16. Schulenberg, David:   Musical Allegory Reconsidered: Representation and Imagination in the Baroque. JMcol 13/2 (Spring 1995), 203-239.
17. Schulenberg, David:   Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance Studies Approach. [p]AMS_Southwest (Feb 1997) A paper read at the Southwest Chapter of the American Musicological Society on 22 February 1997 at University of South Carolina.
18. Schulenberg, David:   'Partes feminarum': Gender Representation in Baroque Music. [p]FTM_Virginia (Jun 1997) A paper read at Feminist Theory and Music IV conference (University of Virginia, Charlottesville, Virginia, 6 June 1997).
19. Schulenberg, David:   A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491. http://faculty.wagner.edu/david-schulenberg/files/2012/12/spitta_ms98.pdf
20. Schulenberg, David:   Missing Spitta Manuscript Found. [Berlin, Bibliothek der Hochschule der Künste, Spitta Ms.1491] AmerBachSocNL (Fall 1998), 6-7.
21. Schulenberg, David:   The 'Sonata auf Concertenart': A Modern Invention? [p]ABS_Yale (Apr 1998) A paper read at American Bach Society conference (Yale University, New Haven, Connecticut, 25 April 1998)
22. Schulenberg, David:   Genre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle. [p]AMS_Boston (Oct 1998) A paper read at the American Musicological Society Annual Meeting in Boston, 29 October - 1 November 1998.
23. Schulenberg, David:   Versions of Bach: Performing Practice in the Keyboard Works. BachPerspectives 4 (1999), 111-135.
24. Schulenberg, David (ed):   The Music of J. S. Bach. Analysis and Interpretation. Edited by David Schulenberg. - Lincoln: Nebraska: University of Nebraska Press, 1999. x, 208p. (= Bach Perspectives, 4) [contents]
25. Schulenberg, David:   Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. JMcolResearch 18/2 (1999), 139-160. [BWV 811]
26. Schulenberg, David:   When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. DeClavicordio 4 (2000), 37-53. http://faculty.wagner.edu/david-schulenberg/files/2012/12/clav.pdf
27. Schulenberg, David:   Bach no Kenban Ongaku. Trans. to Japanese by Nozomi Sato and Sachiko Kimura. Tokyo: Shogakukan, 2001. 727p. ISBN: 4-09-386030-0.
28. Schulenberg, David:   Music of the Baroque. New York: Oxford Univ. Press, 2001. xiv, 349p. ISBN: 0195122321. - 2nd edn. New York; Oxford: Oxford University Press, c2008. xiv, 370p. ISBN: 9780195331066.
29. Schulenberg, David:   Performer's View. AmerBachSocNL (Spring 2002), 3, 8-9.
30. Schulenberg, David:   The Last Bach-Family Engraved Print: The Musical Supplement to C.P.E. Bach's Versuch. http://faculty.wagner.edu/david-schulenberg/files/2012/12/Probestuecke.pdf
31. Schulenberg, David:   'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. [ce]KeyboardInBaroqueEurope (2003), 157-168.
32. Schulenberg, David:   Recent Bach Studies. JMcolResearch 22/4 (Oct-Dec 2003), 387-402. Review Article.
33. Schulenberg, David:   The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]AMS_Houston (Nov 2003) A paper read at the American Musicological Society Annual Meeting in Houston, 13-16 November 2003.
34. Schulenberg, David:   The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]IS_Memphis (Nov 2003) Paper read at an International Symposium held at Rhodes College, 6-7 November 2003: The Composers And Compositions Of The Berlin Sing-Akademie
35. Schulenberg, David (ed.):   'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach. Edited by David Schulenberg. - Los Altos, CA: Packard Humanities Institute, 2005. xxxiv, 190p (Critical report pp.153-190). ISBN: 1-933280-01-8; 978-1-933280-01-1. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 3) [Achtzehn Probe-Stücke in sechs Sonaten, Wq 63/1 - 6. Sechs leichte Clavier Sonaten, Wq 53/1 - 6. Six sonates pour le clavecin à l'usage des dames, Wq 54/1 - 6. Sechs neue Clavier-Stücke, Wq 63/7 - 12] [Wq 63/1-6 (H 70, 71, 72, 73, 74, 75), Wq 53 (H 162, 163, 180, 181, 182, 183), Wq 54 (H 184, 185, 204, 205, 206, 207), Wq 63/7-12 (H 292, 293, 294, 295, 296, 297)]
36. Schulenberg, David:   Seventeenth-Century Keyboard Music in Northern Europe: Germany, Austria, and the Netherlands. [ce]WorldOfBaroqueMusic (2006), 185-212. Chapter Nine.
37. Schulenberg, David:   Fugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works. [p]AMS_RhodeIsland (Sep 2006) A paper read at the New England chapter meeting of the AMS at Providence College, Providence, Rhode Island, USA (Sept. 30, 2006). http://faculty.wagner.edu/david-schulenberg/files/2012/12/fuguefings_with_images.pdf
38. Schulenberg, David:   Why we know so little about Bach's early works: a case study of two keyboard fugues. [fs]Williams70 (2007), 169-203. [BWV 951, 532]
39. Schulenberg, David:   C.P.E. Bach in Zerbst: The six sonatas of fall 1758 with contributions on the early biography and compositions of Carl Fasch. Schr_MittDMges 14 (2007), 131-152.
40. Schulenberg, David:   The Sonate auf Concertenart: A Postmodern Invention? BachPerspectives 7 (2008), 55-96.
41. Schulenberg, David:   Fugues, form, and fingering: Sonata style in Bach's preludes and fugues. EastmanStudM 58 (2008), 14-23.
42. Schulenberg, David:   Modifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel. [p]ABS_Bethlehem (May 2008) A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania
43. Schulenberg, David:   El clave bien temperado, parte I. Quodlibet 42 (Sep-Dec 2008), 115-130. Trans. Jaime Fatás Cabeza.
44. Schulenberg, David (ed.):   Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach. Edited by David Schulenberg. - Los Altos, CA: Packard Humanities Institute, 2009. xviii, [10], 225p. ISBN: 978-1-933280-26-4. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.2) [Concerto in G Major, Wq 4; Concerto in C Minor, Wq 5; Concerto in C Minor, Wq 5, early version; Concerto in G Minor, Wq 6; Concerto in G Major, Movement 2, Wq 4/ 2, intermediate version; Cadenza, Concerto in C Minor, Wq 5/ 2; 80 Clavier-Cadenzen, Wq 120; 3 Cadenzen, Concerto in C Minor, Wq 5/ 2; (Wq/H deest) [Cadenzen, Ausw]] [Wq 4, 5, 6, 120]
45. Schulenberg, David:   An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. Bach 41/2 (2010), 24-60.
46. Kulukundis, Elias N.; Schulenberg, David (eds.):   Keyboard Concertos from Manuscript Sources VIII / Carl Philipp Emanuel Bach. Edited by Elias N. Kulukundis and David Schulenberg. - Los Altos, CA: Packard Humanities Institute, 2010. xvi, 8, 271p. ISBN: 978-1-933280-66-0. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.8) [Concerto in E Minor, Wq 24; Concerto in E Minor, Wq 24, early version; Concerto in A Minor, Wq 26; Concerto in D Major, Wq 27] [Wq 24, 26, 27]
47. Schulenberg, David:   Crossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography. DetroitMMcol 55 (2010), 271-302.
48. Schulenberg, David:   J.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings. EarlyKeyboardJ 25-26 (2010), 29-59.
49. Schulenberg, David:   The Music of Wilhelm Friedemann Bach by David Schulenberg. - Woodbridge: Boydell & Brewer; 2010, 354p. ISBN-978-1-58046-359-1. (= Eastman studies in music, No. 79) [contents]
50. Schulenberg, David:   Editing Bach's 'preludes and fugues' for organ. OrganYb 39 (2010), 59-72. [BWV 531, 532, 545, 549, 566/566a]
51. Schulenberg, David:   An Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784). [p]ABS_Wisconsin (May 2010) A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND HIS GERMAN CONTEMPORARIES', May 7-9, 2010, University of Wisconsin-Madison
52. Schulenberg, David:   An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. [p]BICB_Belfast (Jul 2010) A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010.
53. Schulenberg, David:   Modifying the Da Capo? Through-composed arias in vocal works by Bach and other composers. 18cM 8/1 (Mar 2011), 21-51.
54. Schulenberg, David:   An enigmatic legacy: Organ music and the Berlin Bach traditions. KeyboardPerspectives 4 (2011), 153-174.
55. Schulenberg, David:   An Eighteenth-Century Organ Is Reconstructed at Cornell. Soc18cMNL 18 (Oct 2011), 8-9.
56. Schulenberg, David:   Bach's temperament. EarlyM 40/1 (Feb 2012), 166-167. Correspondence.
57. Schulenberg, David:   Preludes and Fugues by Bach? Questions of Text, Genre, and Attribution in the Organ Works. [p]ABS_Rochester (Sep 2012) A paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012.
58. Schulenberg, David:   Performing C. P. E. Bach: some questions answered? EarlyM 41/1 (Feb 2013), 119-122.
59. Schulenberg, David (ed.):   Preludes and Fugues I / Johann Sebastian Bach. hrsg. von ... David Schulenberg. - Wiesbaden: Breitkopf & Härtel, 2013. 140p. Best.-Nr.: Edition Breitkopf 8801; Pl.-Nr.: Breitkopf EB 8801 (= Sämtliche Orgelwerke [in 10 Bänden] / Johann Sebastian Bach, 1) [BWV 531, 545, 529/2, 545a/1, 547, 566 (in C), 566 (in E), 546, 549, 549a (in d), 532; Anhang: BWV 532/2a; auf CD-ROM: BWV 545a/2, 545b (Anh. II)]
60. Schulenberg, David:   C. P. E. Bach in America. BachNotesABS 21 (Fall 2014), 4-6. http://www.americanbachsociety.org/Newsletters/BachNotes21.pdf
61. Schulenberg, David:   A tale of two brothers: Friedemann and Emanuel Bach. [cr]Brooklyn2010 (2014), 78-102.
62. Schulenberg, David:   Carl Philipp Emanuel Bach: a tercentenary assessment. EarlyM 42/3 (Aug 2014), 335-345.
63. Schulenberg, David:   The Music of Carl Philipp Emanuel Bach. Rochester: University of Rochester Press, 2014. xv, 416p. ISBN 978-58046-481-9. (= Eastman studies in music, No. 114) [contents]
64. Schulenberg, David:   C. P. E. Bach Turns Three Hundred. Soc18cMNL 24 (Fall 2014), 1, 11-12.
65. Schulenberg, David (ed.):   Preludes and Fugues II / Johann Sebastian Bach. hrsg. von ... David Schulenberg. - Wiesbaden: Breitkopf & Härtel, 2014. 148p. Best.-Nr.: Edition Breitkopf 8802; Pl.-Nr.: Breitkopf EB 8802. ISMN: 979-0-004-18373-1. (= Sämtliche Orgelwerke [in 10 Bänden] / Johann Sebastian Bach, 2) [BWV 533, 548, 541, 550, 535, 535a, 536, 543, 543a/1, 544, 533a, 551; auf CD: BWV 534]
66. Schulenberg, David:   When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music. [ce]Late18cComposers_CPEB (2015), 477-492. Repr. from in Bernard Brauchli, Susan Brauchli and Alberto Galazzo (eds), De clavicordio IV: Proceedings of the IV International Clavichord Symposium, Magnano, 8-11 September 1999, Magnano: Musica Antica a Magnano (2000), pp. 37-52.
67. Schulenberg, David (ed.):   C. P. E. Bach. Farnham: Ashgate [2015], xxxv, 505p. ISBN: 978-1-4724-4337-3. (= The late eighteenth-century composers.) - Abingdon: Routledge, 2016. [contents]
68. Schulenberg, David:   Expression and Discrétion: Bach and Froberger. BachNotesABS 26 (Spring 2017), 5-8.
69. Schulenberg, David:   C. P. E. Bach's Keyboard Music and the Question of Idiom. BachPerspectives 11 (2017), 83-112.
70. Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn:   Bach's quaver notation and performance implications. [p]BNUK_Cambridge (Jul 2017) A session presented at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017.
71. Schulenberg, David:   Eighth J.S. Bach dialogue meeting: Madingley Hall, Cambridge, 10–15 July 2017. 18cM 15/1 (Mar 2018), 130–131.
72. Schulenberg, David:   Bach. New York : Oxford University Press, [2020] xi, 413p. ISBN: 978-0-19-093630-3.
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